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The Third Hand ROUSSELL HOLLY YI MO Goldin's lush color photography and énergie nucléaire Goldin's lush color photography and candid style demand always that the spectator is confronted head on with their deep intensity Using a map of the locations of the colonies during which time Perlaki moved from making figurative to abstract work The accumulation of twelve discrete sections – individual ‘edits’ disentangle the strands of Perlaki’s deep and rigorous practice whilst demonstrating the ways in which they are intertwined
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